Noise Rock
Noise rock takes rock music and deliberately roughs it up. Guitars are detuned, scraped, struck with drumsticks or pushed into feedback; bass lines hit like heavy machinery; vocals are yelled, sneered or buried. Underneath it all there are usually real riffs and grooves, and that tension between song and assault is what makes it thrilling.
It came out of the American underground in the early and mid 1980s. In New York, Sonic Youth and Swans pushed volume and dissonance to extremes, while in Chicago, Steve Albini's Big Black and the Albini-recorded Jesus Lizard built a tougher, more physical strain.
It is still going strong, from duos like Lightning Bolt to bands like METZ and Daughters, and it rewards anyone who wants rock music to feel a little dangerous again. Turn it up: that is how it is meant to be heard.
Essential noise rock bands
Flipper: San Francisco punks who slowed everything to a sludgy, droning crawl in the early 1980s, an early sign of where noise rock was headed.
Sonic Youth: New York band who retuned their guitars in unusual ways and jammed objects under the strings, turning noise into something melodic and beautiful.
Swans: Michael Gira's band began as one of New York's slowest, most punishing bands, then grew into vast, hypnotic epics after reforming in 2010.
Big Black: Steve Albini's Chicago band: brutal, metallic guitars, a pounding drum machine and lyrics about the ugliest corners of American life.
Scratch Acid: Wild, lurching Austin band whose singer David Yow and bassist David Wm. Sims went on to form The Jesus Lizard.
The Jesus Lizard: Chicago band built on Duane Denison's razor-sharp guitar, a monster rhythm section and David Yow's chaotic, crowd-surfing vocals.
Unsane: New York trio known for pummeling, sludgy riffs, shouted vocals and a grimy, bruising live show.
Shellac: Albini's later trio with Bob Weston and Todd Trainer: stripped-down, precise and ferociously loud, with room for dry humor.
Lightning Bolt: Providence bass-and-drums duo playing at blinding speed and volume, famous for setting up on the floor among the crowd.
Pissed Jeans: Pennsylvania band aiming sludgy riffs and bellowed vocals at the frustrations of adult life, from office jobs to aging bodies.
METZ: Toronto trio who brought a tight, ferocious take on the sound to a new generation in the 2010s.
Daughters: Providence band who moved from chaotic grindcore into dark, pulsing, cinematic noise rock that won them a wide new audience.
Start here
Sonic Youth, Daydream Nation (1988)
A double album of sprawling, gorgeous noise, and the classic place to start.
Pounding drum machine and serrated guitars: harsh, fast and hugely influential.
The Jesus Lizard, Goat (1991)
Swaggering, bass-heavy and unhinged, recorded by Steve Albini.
Shellac, At Action Park (1994)
Lean, precise and punishing; every hit lands exactly where it should.
Lightning Bolt, Wonderful Rainbow (2003)
Just bass and drums, played in a frenzy that somehow stays catchy.
Two hours of slow-building, overwhelming sound from the reformed band. Commit to it.
Short, tight and ferocious: the modern starting point.
Daughters, You Won't Get What You Want (2018)
Dark, pulsing and genuinely unsettling, a modern landmark of the genre.

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Last 30 days · via public radio playlists
| Rank | Album | Stations | Days on chart | Spins |
|---|---|---|---|---|
| 1 | ![]() | KCRW, KEXP, KUTX, The Current | 8 | 30 spins |
| 2 | KCRW, KEXP, KUTX | 1 | 4 spins |