Album Review: Sleep – Hempispheres (opens in new tab)
There’s not many occasions of a single work becoming such a monolith that it retroactively lifts an obscure band into mainstream recognition.
Sludge Metal on LoudQuietLoud: more than 100 artists, including Mastodon, Acid Bath and Crowbar. It runs alongside artcore, atmospheric sludge metal and stoner metal.






There’s not many occasions of a single work becoming such a monolith that it retroactively lifts an obscure band into mainstream recognition.
It would have been too bitter, too evidently ironic if Chat Pile had released Who Loves The Sun one week after its official release date.
The Oklahoma sludge-metal band has never spoken in subtleties, but its third album is its most pointed statement yet: a merciless depiction of a world in decline.
The stoner-doom institution returns, minus founding guitarist Matt Pike, for a monotonous album of timid riffs and bad weed puns.
Few new bands have captured the zeitgeist of the 2020s like Chat Pile.
On its first album since the death of guitarist and vocalist Brent Hinds, the metal band reckons with grief while gesturing toward the wild, energetic sound of its past.
Making proudly old-school music with proudly old-school equipment, the Brazilian band summons the sound of classic prog rock with a mystical, psychedelic epic.
Show Me the Body’s last two albums, particularly 2022’s Trouble the Water (as well as the Corpus mixtapes from 2017 and 2024), felt like they were recorded in a dry basement filled with smoke and…