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Patching in audio logos and advertising dialog without interrupting the dreamlike sampledelic flow, the Australian band’s new album summons nostalgia for the era of truly mass media.
Trip Hop on LoudQuietLoud: more than 500 artists, including Massive Attack, Portishead and Glass Animals. It runs alongside instrumental hip hop, abstract hip hop and turntablism.

















Last 30 days · via public radio playlists
| Rank | Album | Stations | Days on chart | Spins |
|---|---|---|---|---|
| 1 | KEXP, KRCL, The Current | 1 | 3 spins | |
| 2 | KCRW, KRCL, KUTX | 1 | 3 spins | |
| 3 | KCRW, KEXP | 1 | 3 spins |
Patching in audio logos and advertising dialog without interrupting the dreamlike sampledelic flow, the Australian band’s new album summons nostalgia for the era of truly mass media.
Not to sound like an aged hippy, but every Avalanches album is a journey, usually a rainbow-splattered, slightly psychedelic one full of U-turns and unexpected twists.
On what he has hinted may be his final “traditional” LP as Bonobo, the UK producer cycles through moods and styles, with a particular focus on the clubby soundscapes of his DJ era.
Time feels like an abstract concept.
What is there left to say about DJ Shadow’s ‘Endtroducing…..’ three decades on from its release?
The music media labels many artists as geniuses, progenitors, trailblazers, while only a handful are really deserving any of these or similar epithets.
The trip-hop icon’s latest album is stylistically uneven, but he sounds creatively energized, particularly on brooding, desolate songs where he grapples with parental grief.
Weaving psych rock and shoegaze textures into her mellifluous R&B ethos, Kelela’s new album turns to guitars at a moment fraught with social and emotional tension.